Preview: Salford Museum and Art Gallery welcomes new Collier Street Baths exhibition

I’m as guilty as the next person at taking our streets of Manchester and Salford for granted.

Focused squarely on not tripping over my own feet (the great tumble of St Annes Square of 2003 – never forget), or striking out straight into the path of a tram, I, alongside many residents, workers and visitors to the area, never think to stop and look around at the many beautiful buildings in our midst, both old and new.

Ready to open our eyes and inspire an appreciation of such, an art exhibition has landed at Salford Museum and Art Gallery, celebrating the beautiful architecture of Collier Street Baths through a collection of paintings by local artist, Ian McKay.

Ian McKay c/o Salford Leisure

Just off Trinity Way in Salford, the Grade II listed building was designed by the city’s own Thomas Worthington, who designed many of the noted structures including The Albert Memorial and Memorial Hall in Albert Square, and the City Police Courts.

The oldest surviving public baths in Great Britain, Collier Street Baths (also termed ‘Greengate Baths’, opened in 1856 by the Manchester and Salford Baths and Laundries Company, but since closing in 1880, has remained derelict ever since.

The good news is that the building is finally to be redeveloped – watch that Salfordian space!

1856 was the beginning of the golden age for public swimming and the baths were used by 50,000 people a year at their peak. Note Oarsman, Mark Addy, who rescued more than 50 people from drowning in the Irwell (yes, that’s who the pub was named after, not the actor), indeed learnt to swim at Collier Street Baths.

Fascinated by the building’s Italianate architectural aesthetic (Worthington having been inspired by a recent trip to Italy), artist, Ian McKay, spent time on location producing a collection of drawings and colour studies of the exterior of the building, which eventually evolved into a series of abstract paintings.

Ian McKay c/o Salford Leisure

Ian says

Collier Street Baths to me is a crucial part of Salford and Manchester’s social history and I felt the building deserved to have its story told visually…the baths played a huge part in the health and wellbeing of people in both cities and gave people a lot of pleasure so i wanted to create this same feeling with an exhibition that is a tribute to this fine building.

Ian also runs Gorton Visual Arts, which teaches new skills to elderly residents, vulnerable adults and residents with learning difficulties, all in a safe studio environment.

The Collier Street Baths exhibition runs until 26 April 2020 at Salford Museum and Art Gallery, is free to visit and open six days a week (excluding bank holidays). A programme of activity will also run to support the exhibition.

For more details, visit the Salford Museum website.

And next time you’re pounding our glorious streets, paved, of course, with Mancunian and Salfordian gold, remember to look around you (check for trams first)…

Preview: Manchester Jewish Museum to mark Holocaust Memorial Day with two premiere performances

2020 heralds 75 years since the liberation of the Nazi death-camps.

On Monday 27 January, Manchester Jewish Museum will mark Holocaust Memorial Day (HMD), with two premieres of musical and theatrical performances, staged at Manchester Central Library.

Songs of Arrival

During the afternoon, music by acclaimed Israeli composer Na’ama Zisser,the first to introduce cantorial music into opera, will be performed together with a premiere of brand-new songs in a free pop-up performance installation, entitled Songs of Arrival, from 4pm in the Music Library. 

Pic credit: Manchester Jewish Museum

The Museum’s very own community song-writing group – who have been working with musician and composer Joe Steele to create original compositions – will also perform. These brand new songs will premiere at the Library, and bring to life the Museum’s oral history collection from where stories of arriving in Cheetham Hill in the 1930s and 40s originate. 

Of the four brand new songs written and performed for HMD by the Museum’s community writing group, two are based directly on stories from the museum’s oral history collection. The other two draw on themes of migration and cultural integration more generally; a song created with ESOL students at the Abraham Moss Adult Learning Centre takes as its inspiration the ubiquity of the phrase ‘Thank you, love’, which the students observed after arriving in Manchester, weaving together different translations including Arabic, Portugese and Welsh. Meanwhile, Celebration of Love, written by group member Andy Steele, brings a positive message of ‘making peace, not war’.

Opera Singer Peter Braithwaite, who is also the Museum’s Artist in Residence, concludes this interactive musical installation and line-up with one of Na’ama Zisser’s song Love Sick – performed in Hebrew and based on the Song of Songs (Shir Hashirim) a book in the bible which explores love.

Holocaust Brunch

In the evening of Monday 27th, the Museum’s commemoration of HMD continues with the Northern Premiere of Holocaust Brunch by London based, Canadian theatre makerand performer, Tamara Micner. Fusing and using comedy with beigels, this funny and brave solo show brings to life the true stories of two Holocaust survivors connected to Tamara, and pries open an intergenerational wound to explore why we remember the Holocaust and what it is like to live in the shadows of genocide and displacement.

Pic credit – Holly Revell

Holocaust Brunch tells a remarkable true Holocaust survival story. Micner reflects on her experience of growing up as a descendent of survivors, and explores how communities can heal from ancestral trauma. Holocaust Brunch is a dark comedy, recounting a story not typically told, and Tamara Micner serves up beigels and cream cheese as she pries open an intergenerational wound and asks why we remember, and what it might look like to forget.

Pic credit: Holly Revell

Created with a team of Jewish and non-Jewish artists, Micner’s moving, funny and thoughtful solo performance invites audiences to reflect how, as the next generation, we can keep memories alive. As part of the creation of Holocaust Brunch, Tamara Micner has collaborated with London-based printmaker Yael Roberts, who has made a series of original prints, The Trauma Documents, which respond to parts of the story and appear throughout the show as video projections. These will be on display at Manchester Central Library alongside the performance of Holocaust Brunch.

The Manchester Jewish Museum is currently based at Manchester Central Library until 2021 whilst work is underway to extend its original Cheetham Hill site.

Songs of Arrival is a free drop-in event between 4-5pm – more information is at https://www.manchesterjewishmuseum.com/event/holocaust-memorial-day-songs-of-arrival/

Holocaust Brunch stars at 7.30pm and tickets can be purchased at https://www.manchesterjewishmuseum.com/event/holocaust-brunch-by-tamara-micner/

 The Manchester Jewish Museum is currently based at Manchester Central Library until 2021 whilst work is carried out to extend its original Cheetham Hill site.

Review: Snow White and the Seven Dwarfs at the Opera House

I’m cough years old but a good pantomime won’t fail to touch even the most jadedcynical, grown up of adults. And this was no exception.

In fact, and at the risk of over-exuberance (although at the time of writing I’ve had a 12 hour cooling off period) I’d say this was the bar by which pantomimes should be set.

I know!

Snow White and the Seven Dwarfs (dwarves isn’t the plural of dwarf – who knew?) at the Opera House, Manchester, is quite simply a masterclass in panto.

Craig Revel Horwood as the Queen was truly Wicked in every sense of the word. Flamboyant, devilishly funny and quite simply screamingly fab-u-lous. What a set of lungs too. Oo-indeed-err.

The Strictly refs came thick and fast but each one landing perfectly (‘out of 10, I’d give him 1…’) and the charisma exuded by this evil queen (indeed) was second to none.

Eric Potts was the ultimate, ultimate Dame! From his cheeky look at the princes’s testimonials, there wasn’t a pun unchecked, a camp aside left unspoken or outrageous outfit left unworn.

Ben Nickless as Muddles barely drew breath during the entire performance and was a triumph as panto Master of Ceremonies.

From 0-100mph the second he took to the stage, the impressions (his Mark Owen just killed me) , cheeky gags, physical comedy and engagement with the audience was second to none. Variety, vaudeville, call it what you want, but it was bloody brilliant.

The three actors together had incredible chemistry and gave us some wonderful laugh out loud moments (I rarely laugh out loud, reader, even the mirthiest of moments will usually lead only to a weird expelling of breath) but I laughed until actual tears came down.

If you’re not belly laughing at the tongue-twister scene or the 12 days of Christmas skit, we cannot be friends.

Zoe George served up a simply perfect princess Snow White as did Joshua St Clair as Prince Harry – pitch perfect and leaving us believing in the love story.

The ‘Magnificent Seven’ had less stage time than expected, but made the most of their scenes, with enough ‘top bantz’ to make you hi-ho-ho-ho (yes, sorry…)

The script also gave great Manchester, with local references aplenty including some saucy refs to a cockatoo on canal street, with nothing in the wider stratosphere was off limits including Prince Andrew and Boris Johnson – the perfect balance of laughs for the kids and under the radar gags for the grown ups.

With such talented cast and performances, the show would be forgiven for resting on its laurels but the production values were spell binding.

The relatively simple sets complimented the magical costumes perfectly and with a couple of surprises literally springing out into the audience, the fourth wall was there to be broken both visually and in the knowing patter throughout.

I think I’ve waxed quite lyrically now and will go have a lie down.

Give yourself an early Christmas present and head to the Opera House immediately, if not sooner. And before Sunday 29 December, 2019.

For full details and tickets head to https://www.atgtickets.com/shows/snow-white/opera-house-manchester/

Review: The Manchester Project at Christmas. At HOME

I love a good kick-start to the festive season.

For some it’s a trip to Dunham Massey’s ever popular lights extravaganza, some a performance of The Nutcracker, for some the appearance of the ‘red cups’ or even seeing Zippy being put together outside the Town Hall (Rest in Peace).

This year I spring-boarded into the season by heading HOME to see The Manchester Project at Christmas.

Brought to us by  Monkeywood  theatre company, Manchester is the heartbeat of everything they do.

The company ask the questions,

what does it mean to be a mancunian? what is it like to live here?

and just this piece of theatre does a pretty good job of answering, as the project delivers up a ‘theatrical map of Manchester’, with 14 shorts, each focusing on an area (aside from one, which centres on our very own HOME).

The Manchester Project at Christmas – HOME Friday 6th until Monday 30th December 2019 Picture © Jason Lock Photography +44 (0) 7889 152747 +44 (0) 161 431 4012 info@jasonlock.co.uk http://www.jasonlock.co.uk

With a company of six local actors (Cynthia Emeagi, Zoe Iqbal, Reuben Johnson, Andrew Sheridan, Samantha Siddall and Gurjeet Singh),  and each play brought to us by writers from across the city, it really is the ultimate Christmas gift of homegrown talent. I should at this point out that sadly Samantha Siddall was ill (get well soon) and her parts were taken by writer and producer Sarah McDonald Hughes. And brilliantly so.

A little of the production itself, the gallery has been transformed into a theatre space but one which is incredibly relaxed and feels decidedly ‘fringe’.

Take your seat at one of the many tables dotted around, set down your drink, and sit back whilst combinations of the six actors perform on a sparse stage the only props being white boxes adorned with the name of the 14 focal places:

The Manchester Project at Christmas – HOME Friday 6th until Monday 30th December 2019 Picture © Jason Lock Photography +44 (0) 7889 152747 +44 (0) 161 431 4012 info@jasonlock.co.uk http://www.jasonlock.co.uk

HOME, Little Hulton, Middleton, Strangeways, Crumpsall, Shaw, Hulme, Whalley Range, Chorlton, Cheetham Hill, Moss Side, Wythenshawe, Old Trafford and Timperley.

I’ll never get this review out before Boxing Day if I write about each short, so whilst all were entertaining, touching in their own way, I’ll pull out a couple:

Chorlton – a touching story of a separated couple who we learn meet up annually at the graveside of the daughter they lost when she was 6 years old. In just a few short lines, we quickly discover a warmth between the exes which perhaps was previously destroyed by their shared loss.

Cheetham Hill – a laugh out loud performance by Zoe Iqbal, selling cheap knock-offs  the genuine thing like a goodun, working the audience with brilliant timing and wit.

With a Santa hat as a prop and passed round like a baton between the plays, The Manchester Project covers homelessness, crime, immigration, teenage pregnancy, bereavement, Frank Sidebottom and ferret racing. It really does.

The Manchester Project at Christmas – HOME Friday 6th until Monday 30th December 2019 Picture © Jason Lock Photography +44 (0) 7889 152747 +44 (0) 161 431 4012 info@jasonlock.co.uk http://www.jasonlock.co.uk

And it’s a celebration of not only the Manchester area, Manchester people and the talent we harbour in this fine city, but a brilliant way to kick start your Christmas.

The Manchester Project at Christmas – HOME Friday 6th until Monday 30th December 2019 Picture © Jason Lock Photography +44 (0) 7889 152747 +44 (0) 161 431 4012 info@jasonlock.co.uk http://www.jasonlock.co.uk

Not only that, you get some extra bang for your buck and a drag dessert to your main on Thursday, Friday and Saturday nights in the shape of Miss Blair’s TV special (celebrating our favourite British icons at Christmas,  or the Ho Ho Holiday Comedy Hour on Mondays, Tuesdays and Wednesdays featuring the likes of Mrs Barbara Nice.

So what are you waiting for? Your house looks like it’s vomited fairy lights, you’ve begun the ritualistic ‘sod it it’s Christmas’ to excuse bad behaviour and you’ve become afflicted with Twiglet fingers.

Give yourself the early gift of Manchester with The Manchester Project, on until 30 December 2019.

For more details of the production and to buy tickets, head to https://homemcr.org/production/the-manchester-project-at-christmas/

News: HOME brings in 2020 with a retrospective of award-winning Mancunian screenwriter, Robert Bolt

I’m currently trying my hand at screenwriting (under the excellent tutorage of Scriptwriting North), love a regular visit to HOME and dip my toe in the world of film both here and over at What the Projectionist Saw

So battling my way through a frankly annoying barrage of emails in my inbox about Black Friday,  there was only one missive which caught my eye and promised me the ultimate gift (and not a BF reference in sight – a GOOD thing).

HOME are seeing in 2020 with their annual British Screenwriters season, 5-22 January, and there’s a mancunian cherry on the cake.

Manchester-born and educated Robert Bolt will be the subject of a celebrated season of works including the infamous and frankly quite epic Lawrence of Arabia (1962) and Dr Zhivago (1965).

Happy new year to us!

Curated by Andy Willis, HOME’s Senior Visiting Curator: Film and Professor of Film Studies at the University of Salford, the season will screen three of Bolt’s award-winning collaborations with Lean: Lawrence of Arabia, recipient of seven Oscars in 1963 including Best Film and Best Director, with a Best Screenplay nomination for Bolt; Doctor Zhivago, which won Bolt his first Oscar and Golden Globe; and Ryan’s Daughter (1970), a double Oscar-winning epic romance set against a backdrop of war and political turmoil.

Also screening is the 1966 screen adaptation of Bolt’s internationally successful stage play of the same name, A Man for All Seasons, with Paul Scofield reprising his West End and Broadway role as Sir Thomas More – for which he was awarded an Oscar – alongside a cast including Robert Shaw, Orson Welles, Vanessa Redgrave and John Hurt and directed by Hollywood veteran Fred Zinnemann (High Noon, From Here to Eternity). Rounding off the season is Bolt’s final film, The Mission – the haunting, epic tale of a missionary in 18th-century South America starring Robert De Niro and Jeremy Irons and directed by Roland Joffé – winner of the Palme d’Or at the 1986 Cannes Film Festival as well as a final Golden Globe for Best Screenplay for Bolt.

Curator Andy Willis heads up proceedings with a special One Hour Intro about Bolt and his career, commenting…

Bolt is a true Manchester success story – born in Sale and educated in Manchester, he studied at Manchester University before and after serving in World War II. We’re excited to be celebrating this brilliant writer who enjoyed critical and commercial success across such a vast range of theatre and film writing, and possessed a true knack for making history contemporary and tackling moral issues dramatically.

For more details including the full programme list and to buy tickets, head to the HOME website at https://homemcr.org/event/british-screenwriters-robert-bolt/

Preview: Will Self: A Life in Writing, at The Lowry 24.11.19

Will Self has written his memoir, Will, and we should all rejoice. Almost as much as I rejoiced when he took part in the Geordie Jumpers sketch on Shooting Stars.

Yes I know his incredible back catalogue of daring and original writing and I bring Geordie Jumpers into it (oh just Google it and thank me).

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Brought to The Lowry theatre by Penguin Live, this Sunday, Self will be discussing his book and taking us on a journey into his memoir which, in turn, promises to take us a world which is funny, frenzied and brutally honest, from battling drug addiction in the 1980s to a foray into post-uni adult and, indeed, literary life as the author of both novels and books of non-fiction.

These include Great Apes; The Book of Dave (a personal favourite of mine); The Butt (winner of the Bollinger Everyman Wodehouse Prize for Comic Fiction in 2008); Umbrella (shortlisted for the Booker Prize in 2012; and his most recent novel, Phone, which was shortlisted for the Goldsmiths Prize in 2017.

For more information head to https://www.penguin.co.uk/events/2019/will-self-life-writing/

Tickets are on sale and available from https://thelowry.com/whats-on/will-self-a-life-in-writing/

The performance starts at 2pm and when booking tickets, you can pick up a discounted copy of Will for just £8 (RRP £14.99) to collect on the day.

See you there (I’ll be the one not mentioning Geordie Jumpers).

To read about frankly fabulous previous Penguin Live events, please see below..

Review: Jon Sopel – Inside Trump’s White House (Penguin Live)

Review: Paul Mason’s Clear Bright Future – Penguin Live

Penguin Pride – less a review, more a tribute

Review: Opera North’s Giulio Cesare at The Lowry

Some years ago, I visited the site where Julius Caesar was said to meet his maker.

The Curia in the Theatre Of Pompey is not only a place of significant historical importance but much to my total and utter glee, a colony for feral cats. Cat lovers this is your Mecca, cat not-lovers probably give this a miss and spend more time in the Coliseum (actually cats live in there too – maybe go to Madrid instead).

Handel’s Giulio Cesare comes with the wonderful tagline…

Cleopatra would die for the throne. But she’d rather kill for it.

And so tells the story of Cleopatra and her brother Tolomeo, as they compete for absolute power over Egypt.

Credit: Alastair Muir

Julius Caesar has chased his enemy Pompey to Egypt where he falls into the murderous hands of Tolomeo.

As Pompey’s widow Cornelia plots with son Sesto to get their revenge, Tolomeo is seemingly more concerned by an ‘enemy’ closer to hand…

Credit: Alastair Muir

Well they do say you can choose your friends but you can’t choose…etc and so forth.

Whilst Cleopatra could be lauded as a symbol of a strong independent women, some may take issue with her tactics to secure her position – that is with feminine wiles and good old ‘female of the species’ straightforward seduction of Caesar.

Credit: Alastair Muir

Nobody’s coming out of this registering strong on the moral compass so, moving on…

Sung in Italian, Tim Albery’s production of Handel’s sweeping and passionate operatic tale is accompanied by a wonderful orchestra conducted by Christian Curnyn.

The set is simple, allowing for the marriage between the voices and the music to flourish and entertain without distraction.

Forgive me for perhaps lowering the cultural tone here but I couldn’t help but equate the spirited, competitive and sometimes downright troubling relationship between brother and sister, Tolomeo and Cleopatra, to that of, what for it, the ice-skating, scheming siblings in the very deep and seminal film…Blades of Glory. Even aesthetically.

DO forgive me – I mean this without any of the slapstick but with all of the heart, passion and downright devilment of both pairs.

It’s a pocket of time that is revisited, referenced and paid tribute to both in the history books and in popular culture repeatedly. But whilst time moves on, human passion, ambition and indeed ruthlessness remains.

And with a wonderfully talented cast and production (a statement which will come as no surprise to those who are familiar with the work of Opera North), Giulio Cesare delivers on this age-old story of tyranny and passion in spades.

Cast:

  • Giulio Cesare – Maria Sanner
  • Cleopatra – Lucie Chartin
  • Cornelia – Amy J Payne (special mention who stepped in for Catherine Hopper)
  • Sesto – Heather Lowe
  • Tolomeo – James Laing
  • Noreno – Paul-Antoine Bruno’s-Djian
  • Curio – Dean Robinson
  • Achilla- Darren Jeffery

Opera North continue at The Lowry this week with performances of La Boheme tonight (15 November) and The Greek Passion tomorrow (16 November) at The Lowry.

Have a thousand questions on Opera-going that you never dared ask? Find out more here at https://www.operanorth.co.uk/your-visit/new-to-opera/.

My reviews of previous Opera North productions can be found below:

Review: Aida at the Bridgewater Hall

Theatre review: The Magic Flute at The Lowry

More than a building…Chorlton Bee Gee landmark needs your help to stay alive!

The Bee Gees belong to Manchester, well Chorlton to be specific.

Yes, ok, they flirted with being born in the Isle of Man,  emigrating to Australia, living in LA, travelling the world, but it was in Chorlton, Manchester,  that the magic first happened.

These fellow honorary mancs formed their first band, the skiffle/rock and roll group, the Rattlesnakes, whilst living in the family homestead on  Keppell Road.

Whilst fans often pay pilgrimage to the terrace house of The Bee Gees‘ childhood, there is another place which carries a significant place in the history of the siblings – The Gaumont – which was previously their local cinema and played host to The Rattlesnakes’ first ever performance!

gaumont 2-1

Since turned into The Co-op Funeral Care, local volunteer group, Chorlton Community Land Trust (CCLT), are fighting to save the building being sold and turned into flats, with their Stayin’ Alive Campaign.

Member, Chris Peacock, explains

Bee Gees fans from all over the world come to have their pictures taken outside – even though it’s a funeral home!

Turning 100 years young next year, local residents are passionate that this historic building is preserved, given that it is such an important part of Manchester’s music scene, and part of the rich tapestry that is the city’s cultural heritage.

Fellow CCLT member, Simon Hooton, adds

Time is critical to save this landmark building – we have just a few days left to persuade the Co-op to change course. It is an important part of Manchester’s historic music scene, so we want to preserve it and celebrate the world-famous Bee Gees and encourage more visitors to the area.

stayin alive

If the campaign is successful, CCLT plan to show the historic site some love by using it to:

  • celebrate the Bee Gees’ heritage

  • Offer a new destination for food and leisure

  • Attract more spending for local businesses

  • Put the site on Manchester’s music trail for visitors to the city

CLT have been working with developers and local residents to generate a plan that would help make Chorlton a more vibrant place for residents and visitors and retain this unique piece of music history.

The plans are to convert the old cinema building into a market-style food hall with flexible scope to also be a performance space for live music and cinema nights. CCLT are also working with the local community health centre to bring forward a new GP Practice with potentially a gym, community space and some affordable housing on the site too.

The campaigners are also keen to integrate the development with the upcoming re-development of the precinct and to create a new public square outside the building too.

CCLT has been liaising with both Manchester City Council and the Co-op  and been given until this Saturday 9 November by to raise £250k. So far, £55k has been raised in the first few days.

HOW ON EARTH CAN I HELP?!

I hear you passionately cry!

Start by heading over to the Stayin’ Alive website and watching this video where you can find out more information and make a pledge.

You can also follow the campaign and show your support by signing upto the following socials:

Twitter: @CampaignStayin

Facebook:  https://www.facebook.com/stayinalivecampaign

Do it for Chorlton, do it for The Bee Gees, heck do it for Manchester!

 

 

 

FilmFear at HOME Mcr – the reviews…

7.11.19 – Updated!

Review: The Lighthouse

Review: The Dead Center

Last week I left home for HOME to throw myself royally into their annual FilmFear festival, hosted in conjuction with Film4.

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You can read more in my round up at FilmFear and chills…Film Festival returns to HOME Mcr this Hallowe’en

Here, after surviving three spine-tingling thrills, chills and spills (and that was just in the bar before lights down), I’ll let you know how I got on from my little ‘bit on the side’ film blog, What The Projectionist Saw. Look out for further updates this week.

First up is Robert Eggers’ The Lighthouse

Steptoe and Son meets Who’s Afraid of Virginia Woolf meets The Ring. Oh yes.

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https://whattheprojectionistsaw.wordpress.com/2019/11/03/review-the-lighthouse-2019/

7.11.19 – Second review in – Billy Senese’s The Dead Center…

https://whattheprojectionistsaw.wordpress.com/2019/11/07/review-the-dead-center-2018/

Preview: NQ Jazz – 21.10.2019 – Sue Rynhart & Huw Warren

NQ Jazz is one of my favourites things.

Yes we have Matt and Phred’s and I give thanks to the gods of live jazz that we do.

But Manchester needs even more and NQ Jazz gives us that more in a gloriously dark, underground befitting location that is The Whiskey Jar.

The rather marvellous Richard Isles Trio at The Whiskey Jar

To speak in New York terms (because, of course), if Matt and Phred’s is Birdland, The Whiskey Jar is Smalls (I’m basically using this opportunity to show off about the fact that I’ve been to both).

This Monday 21st October sees Dublin singer and composer, Sue Rynhart, take to the atmospheric Whiskey Jar basement bar, with pianist (and composer) Huw Warren.

Sue previously visited our fair city with a performance at the Manchester Jazz Festival and brings sounds which are an edgy blend of modern jazz mixed with contemporary sounds.

Credit: Karl Burke

Welsh pianist Huw, a BBC Jazz award winner, carries with him an international reputation for innovative music making.

Fresh from the release of their new single We Are On Time (Flower Seeds), join them (and me!) this Monday 21 October and kick start the week with a little NQ Jazz therapy.

For more details, visit https://nqjazz.com/

To hear Sue and Huw’s new single, visit Spotify – We Are On Time (Flower Seeds)

NQ Jazz is every Monday at the Whiskey Jar, 14 Tariff Street, Manchester.

Entry £5 (£4 students with ID), doors at 8pm, live music from 8.30pm…