Preview/review

  • Diana, Princess of Wales, punctuates my memories on occasion. Sporadically, but meaningfully. Occasion 1 – one of my earliest memories is of a humble plastic flag. A Union Jack plastic little flag on a plastic white stick, provided to me in 1981 to fervently and obediently wave inside my childhood home. 2 and a few

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  • This timeless, powerful story takes you on a thrilling journey through the final 24 hours of Willy Loman’s life, filled with his memories, dreams, struggles and pitting a Father’s expectations against his sons’ realities. This powerful and moving story explores the sacrifices people make in pursuit of the ‘American Dream’. Heart-breaking and thought-provoking, it’s a timeless

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  • No shame, long-time lover of this classic piece here. That had potential for issues. I’m so in love with it, can I possibly see anyone else in the roles? Will it bring with it, an interpretation that I’m blind to the benefits of because I love the televised Play for Today 1977 version so terribly

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  • If something comes to under the banner of ‘winner of the Shelagh Delaney new writing award’, you know that it has to be something special. Rayla Clay (and the following day), written by Drayla Kasheen, and directed by Roni Ellis, is something special. I have to remind myself that this is new writing, which has

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  • This week has been rich. Rich in reminders of what keeps me living in Manchester, nearly 25 years after moving here. And it will be no surprise to regular readers (hi mum) that a mainstay of these reasons is the cultural offerings the city bestows. Over the last week, I’ve been lucky enough to experience

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  • How do you say goodbye when words were never there?Arjun’s father never learnt to sign, and now that he’s gone, Arjun must find his own way to honour him. In a world where ancient traditions meet modern reality, Arjun embarks on a deeply personal and visually mesmerising quest to create a farewell ritual for his

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  • It feels a treat. Plays at the Royal Exchange Theatre in Manchester feel like they’re not there by accident. They’re there by design. I know what I mean and I’m sure frequent flyers of this theatre’s offerings will do so too. By the time you’re sat in the round looking down, ready to see how

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  • Can’t drive, won’t drive, refuse to drive. I’ve a whole story about a wing mirror and a driving instructor that was part tutor part devil-man egomaniac in charge of a set of dual controls. But that’s not for now. What I’m saying is that as a result, I am the girl on the train/tram/bus. And

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  • It’s Wednesday afternoon, in Manchester. I’m fresh from the office, taking a late lunch to catch a matinee show described as a love letter to Birmingham, exploring Black masculinity through Beyoncé lyrics, techno raves and the deeply intimate relationship between a man and his barber. And I already know this particular lunch break is going

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  • I was a little devilish last night. Provocative, even. But for the greater good, you understand. Seated in that glorious cavern that is 53two, underneath the arches on Watson Street, I scrambled to get a pre-performance shot of the set, uploaded to my Instagram (I don’t deal in shortening names – no Instas, no Maccy

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  • I have to admit there have been times when commuting, I’d have longed to be put out of my misery. But that’s not for now, that’s for my local rail service feedback form. I’m a so-called Agatha Christie fan. I say so-called because in all these years, I’ve not read this book and I’ve not

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  • There are some subjects which require careful handling. Careful execution. But there is also the challenge and requirement to deliver information, share experiences, provide insight in a way that commands attention and draws in engagement. In this fast-paced world we live in, there’s a lot competing for our attention… Performance theatre and the arts is

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  • I just spoke to my mum, who asked me, “Are you going out tonight?” “No, I went out last night to see a show at the Kings Arms. You know, the cat pub” “Oh yes. How was it?” .”it was really funny, I haven’t laughed quite like that in a while.” “Ah excellent – what

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  • Use the noun shrew — at your own risk — to refer to a woman who is argumentative, nagging, and ill tempered. Vocabulary.com Now then, eh? Shakespeare you scallywag with your seemingly misogynistic titles for your plays, you. And your themes of gender hierarchy and ideas that the woman should always be submissive to the man. Who

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  • As I sat in a beautiful space, having taken my place ‘in the round’, easing into the latest production to grace the Royal Exchange Theatre in Manchester, I was privy to an unexpected and potentially earth-shattering statement. Reader, it threatened to swipe the metaphorical rug from beneath my very feet as I heard the line

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  • Three weeks since my last trip into theatre land. I’ve been gadding in foreign climes, being all la-di-dah and that. And I’m back. And I’m back at the ultimate cat pub, The Kings Arms. Coming in a close second is the Blind Beggar in the East End, synonymous not only with me going on two

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  • Jesus Christ Superstar indeed. I loved it. Absolutely loved it. Hoping for a more sophisticated, somewhat less basic lead in to a blog post review of my theatrical experience of a production in the Greater Manchester area? I choose childlike exuberance on this occasion. My regular reader will be more than au fait with the

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  • Frankie never wanted to be a star, and after a chance encounter with a director, she finds herself transported to the ruthless world of Bollywood. As she climbs the sparkling staircase of stardom, Frankie must confront what she is willing to do for fame and fortune. Can she stay in the Bollywood family and still

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  • Tis a strange thing. Strange but true. I get a frisson of excitement, a soupçon of a thrill, when I enter a theatre space and the set is sparse. There’s no particular science here but it usually equates to good, honest theatre. A statement as broad and sweeping as they come. But there’s nowhere to

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  • A sweeping state-of-the-nation play that embraces huge political and economic ideas in a magnificent gritty social drama. Nottage’s stunning writing pits friend against friend as social and racial tensions, once buried by a sense of solidarity, soon rise to the surface in this breathtaking drama.  Divide and conquer. If it wasn’t for the accents, I

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