The Arts

  • In its UK debut at HOME, Claudia Rankine’s first published play, The White Card poses the question: can society progress when whiteness remains invisible? Written against a backdrop of an increasingly racially divided American and shortly before the murder of George Floyd and the Black Lives Matter protests, The White Card is as tense and

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  • Me: fancy coming to see beatboxers perform Frankenstein? Him: (without missing a …beat) yeah And this reader is why I married him. On Tuesday I found myself part of a beatbox symphony. This is the same week that I got my first pair of prescription reading glasses. Balance redressed.. Contact theatre played host (and continues

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  • I didn’t know what to do expect from this production. I mean I was aware of the story – it’s all love and hate and death and windy moors. But the description of this production told me it was… Shot through with music, dance, passion and hope… and I was admittedly reticent. This could be

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  • Saturday 23 April was Sea Power appearing at Albert Hall, Manchester day. It was also St George’s Day. The two things are somewhat very tenuously related. They really are, stay with me. Last August, Sea Power announced that they were dropping the ‘British’ from their name. The reasons I completely understand, the fact that the

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  • So we’re all about 50 stone heavier having thrown ourselves while-heartedly into the apparent food festival that is Easter. A blur of hot cross buns, simnel cake and chocolate, we’re tired and all need something a little more…stationary. A little less feeding frenzy, a little more ‘feet up (oi metaphorically, not on the seats), lights

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  • Friendship is a funny thing. I think the Covid panny-d has caused a lot of reflection on this matter. Who did we miss, who did we not miss, who did we keep in contact with, who did we not. Who did we keep in contact with but then not once we re-entered the world again.

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  • I’m a misery when it comes to children’s literature, films, television (although my wonderful young whirlwind of a niece is changing that – Hey Duggie is my ride or die. I’m ageing myself but I’ve never read or watched a Harry Potter. I’ve not watched a Disney film that wasn’t made post 80s and I

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  • I in no mean belittle this advice, I’m here to report the facts. And by facts I mean points of interest that capture my attention… Allergen warning: there will be loose wheat as part of the set This was in the programme notes and outside the door to the studio. The warning went onto explain

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  • As a child I used to marvel at the concept and sheer artistry of those who could transform balloon into beast (ridiculous but alliteration, I can’t not). Even more so when I tried to do it myself not realising that a special type of balloon can only be used, and concluding that only those touched

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  • There’s a rich history of films centred around the ‘stranger visits town’ trope. Sometimes that trope is literal; a mainstay for many a Western. Sometimes, that stranger is coming from somewhat further afield, swapping out a small town for Earth itself. Starman, Superman, E.T. Close Encounters of the Third Kind – the list is pretty

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  • This week was monumental. After what felt like a long, long dark winter, the sun set AFTER 6pm. Today is also monumental as Manchester Film Festival 2022 throws open its literal and metaphorical doors to us Mancs, honorary and actual, and all those visiting our fine city. From 12 – 20 March, over 130 films

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  • Having visited this year’s Manchester Open Exhibition and seen for myself the breadth of artistic talent on display, I can only imagine what a difficult job it would have been. But someone had to do it! The judging has taken place and last night, HOME announced the 5 winners of the Manchester Open Awards 2022!

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  • Before we start, HOME is one of my favourite spaces in Manchester. I just wanted to say that. I haven’t professed any feelings for the place itself in quite a while, given the frequency I visit. I don’t take it for granted, especially given the recent enforced absence (I’m over using the C word). So

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  • There was a certain excitement stroke cockiness as I strode, yes strode into the Lowry last night. I’ve been to the Lowry before. I’ve seen Nigel Havers on stage before. I’ve seen Nigel Havers in a play at the Lowry before. I’ve seen a production of Private Lives in Manchester before. But never had all

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  • Can it be two years since the inaugural exhibition? And what a two years it’s been. Well let’s not go into that, but the first Manchester Open Exhibition was so super, I even walked away with a purchased piece. A piece that soon began to take on layered and multiple meetings in the 12 months

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  • I’ve been tussling with this. I’ve been going back and forth. The grown up writer in me (it’s there somewhere) tells me to not be so obvious, cliched and obvious again. The forever child in me behind the blog reminds me that I’m here to document my experiences, thoughts, feelings, passions, obsessions and delectations. Yes

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  • Last Friday 10 December saw the first of two Christmas concerts that day, given by the Northern Chamber Orchestra in Knutsford, And I was excited. But it won’t be the first time I’ve misjudged an entrance and it surely won’t be the last. It actually wasn’t even the first time I misjudged the entrance to

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  • Last night was just what I needed. Never have I seen such a happy, smiley post-show foyer. Ok everyone was masked up (well done everyone) but the eyes and laughter had it. In a world where we’ve entered plan B, plan A was to head to press night of The Lion, the Witch and the

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  • I have never been so ready for Christmas. Note when I say ready, I don’t mean the practicalities. No matter what I promise myself every year, I will never be that person who’s done, dusted and has Christmas wrapped up (figuratively and literally) by November. No, after Christmas was almost cancelled last year, any jadedness

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  • Forgotten Voices is something special. To listen to the story of somebody’s life experiences is already a privilege. For that story to be written by that person’s grandson, moreso. But when that story is important, powerful, heartfelt, beautifully written and acted, it’s a whole other level. Written by David Moorhouse, directed by Margaret Connell, and

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