Shelagh Delaney
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If something comes to under the banner of ‘winner of the Shelagh Delaney new writing award’, you know that it has to be something special. Rayla Clay (and the following day), written by Drayla Kasheen, and directed by Roni Ellis, is something special. I have to remind myself that this is new writing, which has
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I’m sat writing this looking out on Salford Docks. Well strictly speaking Salford Quays. Well strictly speaking, one of the Basins, with all its accoutrements; bridge(s), birds, runners, dog-walkers, lanyard bedecked workers, high-rises… But not the high-rises that one would have come to expect from Salford. A whole different shinier, floor-to-ceiling windowier animal. And yet