theatre review
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Monday evening saw bucketfuls of rain in Salford but more importantly, press night of The Shawshank Redemption at The Lowry Theatre… Produced by Bill Kenwright and starring Joe Absolom and Ben Onwukwe, the title will score high recognition points, I’m sure, but not necessarily in this medium. Whilst starting life as Rita Hayworth and The
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My partner and I moved recently. From suburbia to ‘urbia’. From a house to an apartment. I think like a lot of people about a lot of life choices, a penny dropped, at some point, over the pandemic. I won’t speak for my partner, Actual Manc, but have sought his blessing to light-touch invade his
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Straightaway, my takeaway on this play is how there are some incredibly talented actors in this country and there is largely a huge disconnect between talent and plaudits. Much of this, of course, as in life, is to do with how commercially viable a vehicle is. And I get that. Not everything is for consumption
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I’m a misery when it comes to children’s literature, films, television (although my wonderful young whirlwind of a niece is changing that – Hey Duggie is my ride or die. I’m ageing myself but I’ve never read or watched a Harry Potter. I’ve not watched a Disney film that wasn’t made post 80s and I
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There was a certain excitement stroke cockiness as I strode, yes strode into the Lowry last night. I’ve been to the Lowry before. I’ve seen Nigel Havers on stage before. I’ve seen Nigel Havers in a play at the Lowry before. I’ve seen a production of Private Lives in Manchester before. But never had all
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I’ve been tussling with this. I’ve been going back and forth. The grown up writer in me (it’s there somewhere) tells me to not be so obvious, cliched and obvious again. The forever child in me behind the blog reminds me that I’m here to document my experiences, thoughts, feelings, passions, obsessions and delectations. Yes
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I LOVE going somewhere new and nothing takes me more places than fringe theatre. Last Friday night it was the turn of Salford Arts Theatre and Two in a Bed Theatre Company’s Hold Me Close. The theatre company, isn’t new to me having seen their work before at The Kings Arms a couple of years
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Everybody’s talking about Everybody’s Talking About Jamie. It’s being recommended to me, I’ve been asked if I’ve seen it, asked if I recommend it… Yes In short. In long, Everybody’s Talking About Jamie, is an award-winning ‘feel good musical sensation,’ which debuted in the West End and has opened its UK tour at The Lowry.
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It’s been so long. So long since I’ve got lost trying to find which door I need to enter to take my seat even though I’ve been a hundred times before. So long since I’ve gone up and down rows trying to find my seat number even though I’ve been a hundred times before. So
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The press release promised a run-down B&B which doubled as a swinger’s club, a gambling man, a fortune teller and an elderly deviant. My immediate thoughts turned to Benidorm. It’ll be leopard print, ‘bosoms’, nudge nudge wink winks, Carry On Abroad (at home), that glorious feature length film that took the cast of Are You
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Charlie Chaplin. He was instrumental in my phonics education. He was. And clearly on my cultural radar, and thus important to me, at a very young age (thank you mum and dad). 5 years old and engaged in a word game with my parents. The rules being thus – say the initials of a famous
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I do sometimes question why I come away with so many positive feelings, thoughts and, well, reviews, from productions that I’ve been lucky enough to see in theatres in and around Manchester. Be they performed on a stage in a large auditorium, in a church, in a renovated mill, even in a pub cellar, theatre
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A funny and frank autobiographical solo-show, First Time (from Dibby Theatre) is written and performed by theatre-maker and HIV activist, Nathaniel Hall and returned to Sale Waterside Centre as part of Refract Festival. Diagnosed just two weeks after his 17th birthday and only months after coming out as gay to his family, Nathaniel kept his HIV
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There are many times I’ve been to the theatre (literally and conceptually – not all plays take place on the stage), when I’ve thought ‘what a brilliant production, what a great story, what an excellent ‘play’ this is.’ And then there are times when I’ve left the idea that I’m at a play far behind
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The ideal short – film, story, play should leave the audience wanting more without needing more. Celebrating 10 years of theatre production and story telling, 20 sell-out seasons and 120 world premieres, JB Shorts have brought something extra special to those glorious arches of 53two. On until 30th March, JB Shorts Reloaded brings six JB Shorts