There is a lot being done to raise awareness of male mental health at the time of writing, which is both joyous and tragic.
Joyous that those afflicted or potentially afflicted are being offered support, reassurance, an outlet, and above all else, a message that they are not alone.
Tragic that the above is all required.*
I was unfortunately only able to attend the last performance on Inside The Deep’s three night run, as part of the Greater Manchester Fringe, and so unable to point towards the next performance in Manchester.
However Camden Fringe is the next lucky host of this play and indeed Bristol-based outfit, Popcorn Productions.
Showing at Leaf in Portland Street…
(fantastic space downstairs – check it out for future events)
…the four hander written by and starring Ed Lees along with actors Chris Alldridge, Ned Costello and Polly Wain, tells the story of Fisherman Thomas Lewin (Lees), his teenage son Marlon (Costello) daughter Carla (Wain) and father William (Alldridge), in rural Cornwall.
During the play, scenes may be geographically static, set around a kitchen table throughout, but the movement is provided by its ever changing timeline, shooting seamlessly back and forth from the present day, to scenes from Thomas’s youth to eventually a little time in the future.
True that when I first watched Pulp Fiction at the tender age of … in my teens, I was confused. I knew I loved it. But I was confused. 10+ watches down the line I eventually had the linear timeline down in my head.
Into the Deep used a more subtle device which was arguably more clever (soz Tarantino).
To take us from one time period to another, the constant sounds of the radio in the scenes, acted as an effective device in telling the audience just where we were all at.
However, soon into the 60 minute play, I stopped taking conscious notice of the radio and instead took my lead from the actors and characters themselves who appear in both timelines.
The difficult relationship between Thomas and his father William, Ed Lees and Chris Alldridge, was often the focus and both were captivating in their performances.
In fact, at times, the scripted words were a mere support to the body language, facial expressions and movement displayed in their performances as they portrayed a tale of mental anguish, familial tensions, and abuse – both physical and emotional.
Throughout 60 minutes you bear witness to crushing disappointment, pressure, fear, worry, heartbreak, confusion, pride, devastation, as the narrative takes us through how as humans, our relationships in our youth can continue to affect us, even when thought ‘buried’ and that chapter closed.
As we see Thomas’s children Marlon and Carla both go from sparky, outgoing, cocky characters in the opening scene to ones which start to unravel as a reaction to their circumstances (powerful performances by both actors), it is difficult as witness not to fast forward and fear that history may repeat.
It is mention of the opening scene that reminds me to stress that whilst I have extolled the production values and physical performances of all involved, the written words should by no means be relegated to supporting artist.
Whilst indeed powerful, the dialogue is also subtle, witty and yes even funny. Who’d a thought Jeremy Paxman could be a punchline!
Back to the point,
Loss is a theme threaded throughout; a partner, a mother, work, money, a home, an opportunity…
And it is through a combination of such that the audience sees Thomas unravel before our eyes in his memories of, and cutaways to, the past – for the most part, his pain is internalised.
It is hard to believe that in a relatively small space, and within a modest set and timeframe, the production can take an audience through such an intense emotional journey in the storytelling, acting and smart production devices (the sounds signifying Thomas being taken to a place of mental anguish are chilling and effective).
In short, all players made you believe in them and the story they were telling, and the overall performance was the perfect example of how bearing witness to a fringe production can feel such a privilege.
With such intimacy that is lost in the larger venues and shows, the actors and indeed whole outfit involved in Popcorn Productions had nowhere to hide and how fortunate for us that they didn’t.
Manchester – check out what else is showing as part of Greater Manchester Fringe..
Camden and surrounding areas – you’re in for a treat in August – check out the details
Rest of the world – take note of Popcorn Productions – quick sharp: Get clicking
*…and for anyone who may wish to, please visit my friend’s page. She is raising money for Mind and thus all those with mental health difficulties: Sponsored Sky Dive
Look after each other x