art
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Writer, film-maker and leading thinker, Paul Mason, is coming to Manchester on 30 April 2019, to discuss his latest book, Clear Bright Future: A Radical Defence of the Human Being, with BBC 6 Music’s, Stuart Maconie. On the eve of publication, Penguin Live, will play host, at The Dancehouse, Manchester, to what promises to be a
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I love Prokofiev’s score, Shakespeare’s story, and I love going to the ballet. So with all ingredients in place, it is natural that I have seen multiple ballet productions of Romeo and Juliet in the past and either because of or despite this, I happily wanted to see the latest brought to Manchester; this time by the Moscow
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It’s the most wonderful time of the year and so on and so forth. In fact, let us not mess around. Let’s just go straight to Chris Rea. Ish. Because this year, Mancs, Honorary Mancs, Visitors to Manc… I’m going HOME this Christmas… Why, you ask? Well I can’t wait to see those faces. Whose, you
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Or should that be a production of two plays? Or a production of two halves, each one a play? But are they two plays? In this world premier of the HOME and Lyric Hammersmith co-production, they are two, yet they are one. And I shall tell you for why. The plays (when discussing Othello and
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I haven’t been to the circus since 1985. Well that was true until a couple of weeks ago. Circuses (circii?) are like buses etc etc. People with a passion for reading about circus-based shows showing in Manchester in August by a local blogger, will be familiar with the anecdote told in my post Theatre review:
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I last went to the circus in Great Yarmouth circa 1985. Obviously this was a remarkable feat considering I hadn’t yet been born. Ok, I’d been born a bit and enough to remember the thrills, spills, gasps and heart-stopping happenings that went on – and that was before we’d set foot in the ‘big-top’. My
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Penguin Pride is winging its way to Manchester next week, with a wonderful line-up of LGBTQ+ writers, poets and performers to celebrate the city’s incredible diversity. Taking place at Z-Arts on Thursday 23 August, poet and playwright Toby Campion hosts this special event which will showcase some of the UK’s most exciting queer talent. Presented in partnership
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It’s always an exciting thing to attend a world premiere production of…well anything, really. Not least when you get to see it before it hits Edinburgh Fringe audiences. Certainly not least when you’re not getting to Edinburgh Fringe yourself (although, fear not as there is plenty to entertain on our good own Mancunian doorstep of course). And
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Billed as Sting’s personal, political and passionate musical, this was a ship that I wasn’t prepare to let sail by without an inquisitive look. On a tour of UK and Ireland, The Last Ship sailed into the Quays last night, making its debut at The Lowry theatre. I have already used two puns both based
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A (by no means exhaustive) list of popular films and programmes that traumatised me as a child: Dumbo E.T.* Born Free Dot and the Kangaroo Watership Down They all have one thing in common – creatures and animals in challenging and sad situations. *Ok, technically E.T. was an alien but he’s pretty much in that category. The
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Families, who’d ‘ave ’em? I think all of us, in on sense or another. The play is a co-production between HOME and Glasgow Citizens. Their last, Endgame, I was also fortunate to see, and too was directed by Citz Artistic Director, Dominic Hill: HOME is where the Art is – Endgame Back to Long Day’s
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My late father was a musician and, at 16, the youngest at that time to be accepted into the Royal College of Music in London. We were blessed with many stories and anecdotes from my Dad’s life as a professional musician, over the years, but I remember two life tips he gave me in particular:
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And people say she’s just a big pair of tits. (David Brent). Yes, I’ve said tits in a blog post. But there’s no point being polite as the Theatre Company I had the good grace to see perform this evening are called Shit Theatre. Although for polite publications it’s written Sh!t Theatre. I’ve already written
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This is a tale of mother/daughter relationships. Of course it is set against a backdrop of one of the most important and harrowing world events in history. However, Diane Samuels’s play is, I believe, a story of human relationships, specifically between mothers and daughters; both biological and nurtured. 2018 marks the 80th anniversary of the Kindertransport,
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I like to think of myself as a touch bohemian. I’ve been to Matt and Phred’s more than 10 times, I’ll have you know. And not only when the free pizza offer is on. To be fair, I’ve also gone international with my fondness for jazz and its clubs, for example paying a visit to New
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I’ve been commuting since I was 12 years old, getting the bus to school, 2.9miles away (that 0.1 is very important given that it disqualified me from the free bus pass that the elusive and illustrious 3 mile commute brought you). Buses gave way to trains once starting uni and then work, and I seriously
honorary manc 