Theatre
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Last summer I spent a very happy evening wandering round Heaton Park, not lost (although I’ve done that too), but at Romeo and Juliet – a production that took its audience to different locations round the park giving depth and reality to the oft told tale. So this year I’m thrilled that I’ll get to
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I won’t repeat my love for fringe theatre all over again (I’ll just casually leave this here – Review – Talk to Yourself at The Kings Arms and actually probably will repeat it in this review anyway). One reason for my love of fringe theatre which I’m not going on about again (am) is the
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A funny and frank autobiographical solo-show, First Time (from Dibby Theatre) is written and performed by theatre-maker and HIV activist, Nathaniel Hall and returned to Sale Waterside Centre as part of Refract Festival. Diagnosed just two weeks after his 17th birthday and only months after coming out as gay to his family, Nathaniel kept his HIV
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There are many times I’ve been to the theatre (literally and conceptually – not all plays take place on the stage), when I’ve thought ‘what a brilliant production, what a great story, what an excellent ‘play’ this is.’ And then there are times when I’ve left the idea that I’m at a play far behind
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I’ve documented my love for fringe theatre before. On the one hand you get to see experimental, exciting, no-holds barred productions and on the other hand, you get to see theatre which feels real, familiar, gritty, passionate… Our Kid, written by and starring Taran Knight, falls into the latter category and is all these things
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Those who have already discovered this award-winning arts festival will be thrilled to hear that Refract is back for its third edition in and around Sale, this July. Those who haven’t yet discovered Refract – you’re in for a treat. Running from Thursday 18 July to Saturday 27 July, this unconventional 10 day festival, curated
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Manchester theatre company, Dibby Theatre, is raising funds to help take their hit show First Time to Edinburgh Fringe. A funny and frank autobiographical solo-show, First Time is written and performed by theatre-maker and HIV activist, Nathaniel Hall. Diagnosed just two weeks after his 17th birthday and only months after coming out as gay to his
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Verdi’s Aida is admittedly one of the operas I knew little about, in terms of both narrative and its musical score. An opera in four acts, Aida is set in Egypt at the time of the Pharoahs. The priesthood, through its self-proclaimed ability to interpret the gods’ will, controls the government and have long been
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Bank Holiday Monday and I was whisked back to the 1960s last night. A time when Woolies was still a thing, Donovan was number 3 in the charts and who you loved or even just fancied could consign you to a prison cell and a place of deep shame and castigation in society. All I
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Forgive me, Manchester theatre world and community, for I have sinned. Despite being a fairly frequent theatre-goer and the space being in operation since 2015, this week was the first time I entered the wonderful world that is Hope Mill Theatre. Forgive me further, Girl Gang Manchester and Unseemly Women, if I take a moment
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It was the late, great, Mr Manchester himself, Tony Wilson, who said if it’s between the truth and the legend, print the legend (someone else said it first but all should defer to Tony). I’m a sucker for legend. It’s always more fun. The Bard must have listened to Tony Wilson (I know, but like
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The ideal short – film, story, play should leave the audience wanting more without needing more. Celebrating 10 years of theatre production and story telling, 20 sell-out seasons and 120 world premieres, JB Shorts have brought something extra special to those glorious arches of 53two. On until 30th March, JB Shorts Reloaded brings six JB Shorts
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The marvellously titled Bag of Beard Theatre had me at… …it’s a Millennial Withnail and I… when telling me about their show Renaissance Men, coming to 53two on 19 and 20 April. Fresh from sell out shows at the Old Red Lion Theatre, Islington, this is Manchester’s (and surrounding areas of course – in fact
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An hour of theatre last night felt like ten years. I don’t mean how that sounds. Manchester Actors’ Platform (MAP) has brought The Stretch back to the 53two stage from 6 to 15 March, following rave reviews at the JB Shorts Festival. Written by Joe Ainsworth and directed by Simon Naylor, the piece follows Lee (James
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Mozart can do no wrong. It’s not even up for debate. When I was knee-high to an etc., I went with my parents to Austria, visiting Salzburg along the way and so to the birthplace of Wolfgang Amadeus Mozart. The actual birthplace – the house. My Dad, a professional pianist, was keen to fulfill an
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I was going to start this post off with the sentiment, I love Manchester. It’s true, I’ve got a t-shirt with it on and everything. But to do so, I would have committed the cardinal sin of referring to a ‘happening’, an ‘event, an ‘occurrence’ as being in Manchester rather than Salford. I do this
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Fringe theatre excites me the most – it has the creative freedom to tackle the nitty, the gritty, and the downright…well, yes, dirty. MAP Productions are bringing The Stretch back to the 53two stage from 6 to 15 March, following rave reviews at the JB Shorts Festival. Written by Joe Ainsworth and directed by Simon
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There are plays, productions, shows that you appreciate the work of, admire, praise, write about, commend. Then there are those that you actually want to frogmarch people into the theatre to see. You almost don’t want to write about it, lest it spoil the experience. You want to write of it, of course. But not
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Scottish writer, poet and patron of HOME Mcr, Jackie Kay, is heading back to Manchester and bringing with her, the gift of theatre! September 2019 will see Red Dust Road, Jackie’s memoir of her life growing up as a mixed race adopted Scot, brought to life on stage at HOME, after its premiere at the
honorary manc 